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lunes, 29 de abril de 2013

Toyo Ito laureado con el Pritzker de 2.013 / Toyo Ito Pritzker laureate for 2.013



Toyo Ito laureado con el Pritzker de 2.013

Joaquín Galán

El 17 de Marzo del presente año se anuncio a Toyo Ito como laureado con el Pritzker en 2.013. Ito es el treinta y siete avo galardonado con el Premio Pritzker y que a su vez  resulta ser el sexto Japonés premiado. La ceremonia tendrá lugar el 29 de Mayo en la Biblioteca Presidencial y Museo John F. Kennedy de Boston, Massachusetts, un lugar que resulta significativo por ser el diseño de otro galardonado con el Premio Pritzker, Ieoh Ming Pei quien recibió el galardón en 1983.
Toyo Ito nació el 1 de Junio de 1941 en Keijo (Seúl), Corea, de padres Japoneses, y volviendo en 1943 a Japón con su madre y sus dos hermanas mayores. Dos años más tarde volvió su padre igualmente a Japón, viviendo todos en la ciudad natal del padre Shimosuwa-machi en la Prefectura de Nagano.

De joven, Ito afirma que no tenía mucho interés por la arquitectura, se muda a Tokio durante su tercer año de Instituto estudiando en la escuela de Hibiya, por entonces jamás soñó con convertirse en arquitecto siendo su pasión el baseball. No obstante fue mientras estudiaba en la Universidad de Tokio que la arquitectura centro su atención. Para su diploma universitario en diseño, presento una propuesta para al reconstrucción del Parque Ueno, el cual ganó el primer premio de la Universidad de Tokio.
Cuando Toyo Ito se graduó en la Universidad de Tokio por el Departamento de Arquitectura en 1965 comenzó a trabajar en la compañía de Kiyonori Kikutake & Associates y por 1971 había establecido su propio estudio en Tokio, al que llamo iUrban Robot (Urbot) cambiándolo por Toyo Ito & Associates, Architects en 1979.


El primer proyecto que despertó el interés sobre el trabajo de Toyo Ito fue la “White U” de 1976, una casa diseñada para su hermana y sus hijos poco después de la muerte de su esposo, y que fue demolida en 1997. Esta construcción se nos mostraba sin ventanas, un bunker de cemento que se curvaba alrededor de un patio interno. Se ha interpretado como una alegoría al dolor y al hogar. Lo curvo con su efecto sin fin, un ejercicio de resistencia.


Muchos de sus trabajos han sido elogiados, pero quizás el que lo elevo a un estado superior como arquitecto consagrado fue la mediateca de Sendai. EN palabras de Toyo Ito, uno de los momentos más importantes en su carrera. En contraposición con la solidez de “White U” la mediateca es acristalada, transparente, cívica y pública teniendo una apariencia muy ligera. El que ya fuera un edifico de gran influencia fue a catapultar incluso más aun su fama cuando este aguanto la envestida del terremoto de Japón de 9.0 de Marzo de 2.011.


Y esto es interesante, la capacidad de Ito de crear proyectos tan diferentes, su eclecticismo. El dijo "He estado diseñando arquitectura con la idea en mente de que era posible crear espacios mas cómodos si podíamos liberarnos de toda restricción por un momento. Sin embargo cuando el edificio se termina, me doy cuenta dolorosamente de mi propia ineficacia, y eso se convierte en energía para retar mi próximo proyecto".


No es su estilo lo que el jurado ha admirado, no su consistencia pero más bien la capacidad de reinventarse a sí mismo una y otra vez. Casualmente el primer galardonado con el Pritzker fue Phillip Johnson alguien que de alguna manera sufrió un proceso similar, la paradoja es que la arquitectura es un campo donde la consistencia y un estilo particular o las formas de abordar un problema en particular es algo que es apreciado y que siempre ha sido algo primordial. ¿Estamos ante una encrucijada con respecto a la arquitectura o lo que consideramos esta que sea o debe de ser?


Una cosa es segura a nadie debe de sorprenderle su elección  como laureado con el Pritzker porque sus logros son más que suficientes para este distinción y si carrera es más que para laurearla.


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Toyo Ito Pritzker laureate for 2.013


Joaquín Galán

On the 17th of March of the present year Toyo Ito was announced as the Pritzker laureate for 2013. Ito is the thirty-seventh recipient of the Pritzker Prize and incidentally the sixth Japanese recipient. The ceremony is to take place on May 29 at the John F. Kennedy Presidential Library and Museum in Boston, Massachusetts, a site with the significance of being a designed by another Pritzker Laureate, Ieoh Ming Pei who received the prize in 1983.


Toyo Ito was born on June 1, 1941 in Keijo (Seoul), Korea, from Japanese parents, returning in 1943 to Japan with his mother and his two elder sisters. Two years later his father returned to Japan as well, and they all lived in his father’s hometown of Shimosuwa-machi in Nagano Prefecture.
In his youth, Ito admits to not having a great interest in architecture, moving to Tokyo while he was in third grade of junior high school where he attended Hibiya High School, and at the time he never dreamed he would become an architect being his passion baseball. However it was while attending the University of Tokyo that architecture became his main interest. For his undergraduate diploma design, he submitted a proposal for the reconstruction of Ueno Park, which won the top prize of the University of Tokyo.


 
When Toyo Ito graduated from Tokyo University’s Department of Architecture in 1965 he began working in the firm of Kiyonori Kikutake & Associates and by 1971 he already started his own  studio in Tokyo, which he named iUrban Robot (Urbot) changing the name to Toyo Ito & Associates, Architects by 1979.



The first project to rise interest about his work was the “White U” in 1976, a house design for his sister and her children shortly after the death of her husband, which was demolished in 1997. This construction appeared windowless, a concrete bunker that curved around an internal courtyard. It has being interpreted as an allegory of grief and hearth. The curved with its effect of endlessness, an experience of enduring.


Many of his works were praised but perhaps what finally put him on a higher status as an renowned architect was the Sendai Mediatheque. In Ito´s words, one of the high points of his career. In contraposition to the solid “White U” the Mediatheque is glassy, transparent, civic, and public, having a very light appearance. The already influential building was to enhance even more his fame when it weathered the 9.0 magnitude earthquake in March, 2011.


And this is interesting Ito´s capacity to create projects so different, his eclecticism. He said "I have been designing architecture bearing in mind that it would be possible to realize more comfortable spaces if we are freed from all the restrictions even for a little bit. However, when one building is completed, I become painfully aware of my own inadequacy, and it turns into energy to challenge the next project. Probably this process must keep repeating itself in the future. Therefore, I will never fix my architectural style and never be satisfied with my works.”
It is not his style the jury is commending, they are acknowledging, not his consistency but rather his capacity to reinvent himself time and time again. Incidentally the first Pritzker laureate was Phillip Johnson someone who has undergone a similar process, the paradox is that architecture is a field where consistency and particular styles or approaches in problem solving has always being primordial. Are we today in a crossroads of what Architecture is or what we consider architecture to be or that it should do?

One things is certain no one has to be surprised for his choice as Pritzker laureate for his has achieved more than enough merits for this distinction in his career and he is a very much deserved laureate.


Trabajos de Toyo Ito / Toyo Ito´s Works:



1970s



1971.05, Aluminum House, Fujisawa, Kanagawa, Japan


1974.03, Cottage in Sengataki, saku-Gun, Nagano, Japan


1975.04, House in Sakurajosui, Setagaya-ku, Tokyo, Japan


1976.05, White U, Nakano-ku, Tokyo, Japan


1976.12, House in Kamiwada, Okazaki, Aichi, Japan


1977.11, Hotel D, Chiisagata-gun, Nagano, Japan


1978.03, PMT Building-Nagoya, Higashi-ku, Nagoya, Japan


1979.01, PMT Building-Fukuoka, Hakata-ku, Fukuoka, Japan


1979.01, House in Koganei, Koganei, Tokyo, Japan


1979.11, House in Chuorinkan,  Yamato, Kanagawa, Japan



1980s



1981.11, House in Kasama, Kasama, Ibaraki, Japan


1982.05, House in Umegaoka, Setagaya-ku, Tokyo, Japan


1983.05, House in Hanakoganei, Kodaira, Tokyo, Japan


1983.05, House in Denenchofu, Ota-ku, Tokyo, Japan


1984.07, Silver Hut, Nakano-ku, Tokyo, Japan


1986.05, House in Magomezawa, Funabashi, Chiba, Japan


1986.08, Restaurant Bar “Nomad”, Minato-ku, Tokyo, Japan


1986.11, Tower of Winds in Yokohama, Nishi-ku, Yokohama, Kanagawa, Japan


1987.03, M-Building in Kanda, Chiyoda-ku, Tokyo, Japan


1989.05, Guest House for Sapporo, Eniwa, Hokkaido, Japan


1989.05, Restaurant PASTINA, Setagaya-ku, Tokyo, Japan


1989.06, Pavilion for "World Design Exposition in Ngoya", Atsuta-ku, Nagoya, Aichi, Japan


1989.09, I Building in Asakusabashi, Taito-ku, Tokyo, Japan



1990s



1990.05, T Building in Nakameguro, Meguro-ku, Tokyo, Japan


1991.03, Yatsushiro Municipal Museum, Yatsushiro, Kumamoto, Japan


1991.03, Gallery 8 in Yatsushiro, Yatsushiro, Kumamoto, Japan


1991.04, Lighting Design for Opera House in Frankfurt, Frankfurt, Germany


1991.05, Gallery U in Yugawara, Ashigarashimo-gun, Kanagawa, Japan


1992.06, Hotel P, Shari-gun, Hokkaido, Japan


1992.12, Amusement Complex H, Tama, Tokyo, Japan


1993.01, ITM Building in Matsuyama, Matsuyama, Ehime, Japan


1993.03, Shimosuwa Municipal Museum, Suwa-gun, Nagano, Japan


1993.04, Public Kindergarten in Eckenheim Frankfurt, Germany, Frankfurt, Germany


1994.03, Old People's House in Yatsushiro, Yatsushiro, Kumamoto, Japan


1994.04, Tsukuba South Parking Building, Tsukuba, Ibaraki, Japan


1995.03, Yatsushiro Fire Station, Yatsushiro, Kumamoto, Japan


1995.12, S house in Tateshina, Chino, Nagano, Japan


1996.01, Nagaoka Lyric Hall, Nagaoka, Niigata, Japan


1996.12, S House in Oguni, Aso-gun, Kumamoto, Japan


1997.03, Institute for Solid State Physics, University of Tokyo, Kashiwa, Chiba, Japan


1997.03, Higashinagaya Community Center & Elderly Day Care Center, Konan-ku, Yokohama, Kanagawa, Japan


1997.06, Odate Dome, Odate, Akita, Japan


1998.06, Ota-ku Resort Complex in Nagano, Toumi, Nagano, Japan


1998.01, Notsuharu Town Hall, Oita, Oita, Japan


1999.03, T House in Yutenji, Setagaya-ku, Tokyo, Japan


1999.07, T Hall in Taish, Izumo, Shimane, Japan



2000s



2000.01, Aluminum House in Sakurajosui, Setagaya-ku, Tokyo, Japan


2000.03, Agricultural Park Oita, Hayami-gun, Oita, Japan


2000.05, EXPO 2000 Hannover, "Health Futures" Pavilion (Installation), Hannover, Germany


2000.08, Sendai Mediatheque, Aoba-ku, Sendai, Miyagi, Japan


2001.05, "Cholon" Dance stage design for Kota Yamazaki's performance


2002.02, Brugge Pavilion, Brugge, Belgium


2002.03, W House in Inagi, Inagi, Tokyo, Japan


2002.07, Serpentine Gallery Pavilion 2002, Kensington Gardens, London, UK


2003.07, Shinonome Canal Court, Block 2, Koto-ku, Tokyo, Japan


2003.12, Motomachi Chukagai Station, Minatomirai Line, Naka-ku, Yokohama, Kanagawa, Japan


2004.03, Matsumoto Performing Arts Centre, Matsumoto, Nagano, Japan


2004.08, Aluminium Cottage, Minamikoma-gun, Yamanashi, Japan


2004.11, TOD’S Omotesando Building, Shibuya-ku, Tokyo, Japan


2005.04, Building for Island City Central Park “GRIN GRIN”, Higashi-ku, Fukuoka, Japan


2005.06, Aluminium Brick Housing in Groningen, Groningen, Netherlands


2005.06, MAHLER 4 Block 5, Amsterdam, Netherlands


2005.08, "LE NOZZE DI FIGARO" STAGE SET, Matsumoto, Nagano, Japan


2005.09, Dormitory for SUS Company Fukushima Branch, Sukagawa, Fukushima, Japan


2005.11, MIKIMOTO Ginza 2, Chuo-ku, Tokyo, Japan


2006.05, Crematorium in Kakamigahara, Kakamigahara, Gifu, Japan


2006.08, Extension for ”The Fair of Barcelona Gran Via venue” Pavilion 8, The Central Axis, Barcelona, Spain


2006.01, VivoCity, Harbour Front Walk, Singapore


2006.01, Hospital Cognacq-Jay in Paris, Paris, France


2007.02, Tama Art University Library (Hachioji campus), Hachioji, Tokyo, Japan


2007.05, Extension for ”The Fair of Barcelona Gran Via venue”, Entrance Hall, Pavilion 1, Barcelona, Spain


2008.11, SUMIKA PAVILIONSUMIKA PROJECT by TOKYO GAS, Utsunomiya, Tochigi, Japan


2008.11, ZA-KOENJI PUBLIC THEATRE, Suginami-ku, Tokyo, Japan


2009.01, The Main Stadium for the World Games 2009 in Kaohsiung, Kaohsiung, Taiwan


2009.03, Facade Renovation "Suites Avenue Aparthotel", Barcelona, Spain


2009.06, White O, Marbella, Chile



2010s



2010.04, TORRES PORTA FIRA, Barcelona, Spain


2010.09, Belle Vue Residences, Oxley walk, Singapore


2011.05, Toyo Ito Museum of Architecture, Imabari, Imabari, Ehime, Japan


2011.05, Ken Iwata Mother and Child Museum, Imabari City, Imabari, Ehime, Japan


Descargala ubicación de edificios de Toyo Ito en Google Earth / Download the location of Toyo Ito Buildings in Google Earth


Za-koenji Theatre, Tokyo


Architecture Museum, Imabari







Tama Art University Library, Tokyo



Tod's Omotesand, Tokyo



Serpentine Gallery Kensington Gardens, London






















Sendai Mediatheque,


Sendai Mediatheque,



 Tower of Winds, Yokohama & The White-U Nakano-ku





Odate Dome & The Matsumoto Performing Arts Centre



miércoles, 24 de abril de 2013

Las Artes de Piranesi / The Arts of Piranesi


Las Artes de Piranesi



Joaquín Galán


El pasado año la Caixa Fórum de Madrid acogió una exposición de Giambattista Piranesi con el titulo de las Artes de Piranesi y que estuvo expuesta del 24 de Abril al 9 de Septiembre de 2.012 y que ha sido la primera gran exposición completa sobre la obra de Piranesi vista en España.


Giovanni-Battista Piranesi (1720-1778) nació en Mogliano Veneto, que entonces pertenecía a la República de Venecia. Estudió Arquitectura en Venecia con su tío materno Matteo Lucchesi,  quien fue Magistrato delle Acque en la ciudad. 


Fue en Venecia done descubrió las obras de Palladio, Vitrubio y algunos edificios de la antigüedad. Piranesi casi que no llego a ejercer como arquitecto, ya que tan sólo se erigió uno de sus diseños, sin embargo y debido a su formación si que dedico al dibujo siendo uno de los dibujantes más importantes del siglo XVIII debido a su técnica, intensidad y el poder de su obra.


Piranesi llego a cultivar como nadie la tridimensionalidad y el detalle en el grabado, su obra han tenido influencia posterior en artistas románticos, surrealistas y cubistas, e incluso sus grabados de cárceles venecianas  aun hoy en día inspiran decorados cinematográficos.


En Roma conoció al erudito G. G. Bottari y aprendió la técnica del aguafuerte con Giuseppe Vasi, con quien firmó algunas imágenes. Publicó su primera gran serie de estampas en 1743, Prima Parte di Architettura e Prospettiva. En 1761 se convirtió en miembro de la Academia di San Luca. Murió en 1778 y fue enterrado en la única iglesia que construyó: Santa María del Priorato.



En esta muestra se han representado piezas del autor de forma tridimensional con maquetas como piezas de adorno romanos de su serie Antichità Romane, además había una video proyección en 3d que recrean sus cárceles una de sus obras emblemáticas. La muestra contó con más de 300 grabados originales del artista.


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The Arts of Piranesi


Joaquín Galán


Last year la Caixa Fórum of Madrid held an exhibition of Giambattista Piranesi with the title of The Arts of Piranesi which was opened from the 24th of April till the 9th of September of 2.012 and this was the first great exhibition about Piranesi to visit Spain.


Giovanni-Battista Piranesi (1720-1778) was born in Mogliano Veneto, which belong by then to the Venetian Republic. He studied Architecture in Venice with uncle from her mother´s family Matteo Lucchesi, who was Magistrato della Acque of the city.  


It was in Venice where he discovered the works of Palladio, Vitruvius and some buildings of antiquity. Piranesi almost never worked as an architect, since only one of his designs was built, however because of his training he dedicated himself to drawing being one of most important drawers of the XVIII century thanks to his technique, intensity and the power of his work.


Piranesi was able to master like no one tridimensionality and the detail in the engravings, his works had later influence on the romantic artists, surrealism and cubits, and even today his engravings of venetian jails inspire movie sets.      


While in Rome he met the scholar G. G. Bottari and learned the etching technique with Giuseppe Vasi, whom he sign some works. He published his first great series of engravings in 1743, Prima parte di Architettura e Prospettiva. In 1761 he became member of the Academia di San Luca. He died in 1778 and was buried in the only church that he built: Santa María del Priorato.


In this exhibition there has being representation of the author in tridimensional form with models like the ornamentation pieces of his roman series Antichità Romane, and also there was a video projection in 3d which recreated his jails one of his most emblematic work. This expo held more than 300 original engravings of the artist.




Folleto de la exposición / brochure of the exhibition




 


















Video Carceri d'invenzione